FIGHT CLUB Literature 1996. Written by Chuck Palahniuk. | |||
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BOGUS BUSINESS BUREAU | |||||||||||
1 | Above and Beyond | BBB | Healthcare | Support Groups | |||||||
Above and Beyond Brain parasites support group. | |||||||||||
2 | Air Harbor International | BBB | Transportation | Airports | |||||||
Air Harbor International | |||||||||||
3 | Alle Cutlery Service | BBB | Home Furnishing | Kitchen Products | |||||||
Alle Cutlery Service Stainless steel. Dishwasher safe. | |||||||||||
4 | Armory Bar | BBB | Nightlife | Bars | |||||||
Armory Bar Fight club on Saturday nights. | |||||||||||
5 | City Laundry | BBB | Maintenance Services | Laundry Services | |||||||
City Laundry Where Marla stole clothes to sell. | |||||||||||
6 | Dakapo Halogen Torchiere | BBB | Home Furnishing | Lighting | |||||||
Dakapo Halogen Torchiere | |||||||||||
7 | Dermatologist Convention | BBB | Events | Conventions and Seminars | |||||||
Dermatologist Convention Narrator sneezed on the trout in aspic at The Pressman Hotel. | |||||||||||
8 | Empire State Lawyers | BBB | Organizations | Professional Organizations | |||||||
Empire State Lawyers Attended Pressman Hotel for their Christmas party. Narrator got his hard and stuck it in all their orange mousses. | |||||||||||
9 | Fight Club | BBB | Healthcare | Support Groups | |||||||
Fight Club | |||||||||||
10 | Firm Believers | BBB | Healthcare | Support Groups | |||||||
Firm Believers Narrator's Monday night leukemia rap group. | |||||||||||
11 | First Eucharist | BBB | Religion | Churches | |||||||
First Eucharist One of the churches where some of the narrator's support groups meet. | |||||||||||
12 | Free and Clear | BBB | Healthcare | Support Groups | |||||||
Free and Clear Narrator's Thursday evening group for blood parasites. | |||||||||||
13 | Garbonzo's | BBB | Dining | Restaurants | |||||||
Garbonzo's Tyler took narrator there for hummus. | |||||||||||
14 | Haparanda Sofa | BBB | Home Furnishing | Furniture | |||||||
Haparanda Sofa Design by Erika Pekkari. | |||||||||||
15 | Hemlig Hat Boxes | BBB | Apparel | Luggage | |||||||
Hemlig Hat Boxes | |||||||||||
16 | Johanneshov Armchair | BBB | Home Furnishing | Furniture | |||||||
Johanneshov Armchair Strinne green stripe pattern. | |||||||||||
17 | Kalix Occasional Tables | BBB | Home Furnishing | Furniture | |||||||
Kalix Occasional Tables Easy care textured lacquer. | |||||||||||
18 | Klipsk Shelving Unit | BBB | Home Furnishing | Furniture | |||||||
Klipsk Shelving Unit | |||||||||||
19 | Korner Mart | BBB | Retail | Gas Stations | |||||||
Korner Mart Where Raymond K. Hessel works - the narrator's human sacrifice. | |||||||||||
20 | Mommala Quilt Cover Set | BBB | Home Furnishing | Bedding | |||||||
Mommala Quilt Cover Set Design by Tomas Harila and available in the following: Orchid. Fuschia. Cobalt. Ebony. Jet. Eggshell or heather. | |||||||||||
21 | The National Museum | BBB | Entertainment | Museums | |||||||
The National Museum Tyler's real target when he blows up the Parker-Morris building. | |||||||||||
22 | National United Projectionist and Indepe... | BBB | Media Companies | Film Production Companies | |||||||
National United Projectionist and Independent Theater Operators Also known as United Union of United Projection Operators Independent and United Theaters. The union Tyler worked for part-time and spliced single frames of pornography into movies. | |||||||||||
23 | Njurunda Table | BBB | Home Furnishing | Furniture | |||||||
Njurunda Table Clever coffee table in the shape of a lime green yin and an orange yang that fit together to make a circle. | |||||||||||
24 | Our Lady of Lourdes | BBB | Healthcare | Hospitals | |||||||
Our Lady of Lourdes Where narrator's mother had mastectomy. | |||||||||||
25 | Paper Street Soap Company | BBB | Industrial Companies | Manufacturing | |||||||
Paper Street Soap Company Nordstrom's ordered 200 bars of Tyler's brown sugar facial soap. | |||||||||||
26 | Pressman Hotel | BBB | Travel | Hotels | |||||||
Pressman Hotel Where the narrator works as a banquet waiter, part time. | |||||||||||
27 | Regent Hotel | BBB | Travel | Hotels | |||||||
Regent Hotel Where Marla lives, where brown bricks are held together with sleaze. | |||||||||||
28 | Remaining Men Together | BBB | Healthcare | Support Groups | |||||||
Remaining Men Together Support group for Testicular Cancer where the narrator meets Bob with bitch tits. | |||||||||||
29 | Rislampa/Har Paper Lamp | BBB | Home Furnishing | Lighting | |||||||
Rislampa/Har Paper Lamp Made from wire and environmentally friendly unbleached paper. | |||||||||||
30 | Steg Nesting Tables | BBB | Home Furnishing | Furniture | |||||||
Steg Nesting Tables | |||||||||||
31 | Trinity Episcopal | BBB | Religion | Religious Organizations | |||||||
Trinity Episcopal Church basement is where narrator cries in Bob's bitch tits during Remaining Men Together meetings. | |||||||||||
32 | Vild Hall Clock | BBB | Home Furnishing | Clocks | |||||||
Vild Hall Clock Made of galvanized steel. | |||||||||||
MAKE BELIEVE MAP | |||||||||||
33 | Benning | Map | Transit Routes | Thoroughfares | |||||||
Benning Raymond K. Hessel's street. Full address: 1320 SE Benning, apartment A. | |||||||||||
34 | Budweiser World | Map | Outer Space | Planets | |||||||
Budweiser World When deep space exploitation ramps up, it will probably be the mega tonic corporations that discover all the new planets and map them. | |||||||||||
35 | Hein Tower | Map | Structures | Towers | |||||||
Hein Tower Where Project Mayhem painted a grinning 5 story mask and set fire to eyes. | |||||||||||
36 | The IBM Stellar Sphere | Map | Outer Space | Star Clusters | |||||||
The IBM Stellar Sphere When deep space exploitation ramps up, it will probably be the mega tonic corporations that discover all the new planets and map them. | |||||||||||
37 | Paper Street | Map | Transit Routes | Streets | |||||||
Paper Street Location of Tyler's rented house: 5123 NE Paper Street. | |||||||||||
38 | Parker-Morris Building | Map | Structures | Buildings | |||||||
Parker-Morris Building The building the guys are at the top of when the novel starts that Tyler's going to blow up. His real target is the National Museum. | |||||||||||
39 | The Philip Morris Galaxy | Map | Outer Space | Regions of Space | |||||||
The Philip Morris Galaxy When deep space exploitation ramps up, it will probably be the mega tonic corporations that discover all the new planets and map them. | |||||||||||
40 | Planet Denny's | Map | Outer Space | Planets | |||||||
Planet Denny's When deep space exploitation ramps up, it will probably be the mega tonic corporations that discover all the new planets and map them. | |||||||||||
OTHER | |||||||||||
41 | Bob | Other | Quotes | Quotes | |||||||
Bob Bob: Huevos. Gonads. Nuts. Jewels. Testes. Balls. In Mexico, where you buy your steroids, they call them eggs. | |||||||||||
42 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: For two years, Chloe's been crying in my arms during hug time, and now she's dead, dead in the ground, dead in an urn, mausoleum, columbarium. Oh, the proof that one day you're thinking and hauling yourself around, and the next, you're cold fertilizer, worm-buffet. | |||||||||||
43 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Is Tyler my bad dream? Or am I Tyler's? | |||||||||||
44 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: I used to work in a funeral home to feel good about myself, just the fact that I was breathing. | |||||||||||
45 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he'd created himself. One minute was enough, Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection. | |||||||||||
46 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: The security asked my name and address and phone number, and then he asked me what was the difference between a condom and a cockpit. 'You can only get one prick into a condom,' he said. | |||||||||||
47 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Eyes closed, we imagined our pain as a ball of white healing light floating around our feet and rising to our knees, our waist, our chest. Our chakras opening. The heart chakra. The head chakra. Chloe talked us into caves where we meet our power animal. Mine was a penguin. | |||||||||||
48 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: A single frame in a movie is on the screen for one-sixtieth of a second. Divide a second into sixty different parts. That's how long the erection is. Towering four stories tall over the popcorn auditorium, slippery red and terrible, and no one sees it. | |||||||||||
49 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: After a night at fight club, everything in the real world gets the volumn turned down. Nothing can piss you off, your word is law, and if other people break the law or question you, even that doesn't piss you off. | |||||||||||
50 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Home was a condominium on the fifteenth floor of a high-rise, a sort of filing cabinet for widows and young professionals. The marketing brochure promised a foot of concrete floor, ceiling, and wall between between me and any adjacent stereo or turn-up television. a foot of concrete was important when your next-door neighbour lets the battery on her hearing aid go and has to watch her game shows at full blast. Or when a volcanic blast of burning gas and debris that used to be your living-room set and personal effects blows out your floor to ceiling windows and sails down flaming to leave just your condo, only yours, a gutted charred concrete hole in the cliffside of the building. | |||||||||||
51 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: I found stacks and stacks of Reader's Digest in the basement, and now there's a pile of Reader's Digest in every room. In the oldest magazines, there's a series of articles where organs in the human body talk about themselves in the first person: I am Jane's uterus. I am Joe's Prostrate. I am Joe's Gallbladder. I am Joe's Raging Bile Duct. I am Joe's Grinding Teeth. I am Joe's Inflamed Flaring Nostrils. I am Joe's White Knuckles. I am Joe's Enraged, Inflamed Sense of Rejection. I am Joe's Clenching Bowels. | |||||||||||
52 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Where would Jesus be if no one had written the gospels? | |||||||||||
53 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he'd created himself. | |||||||||||
54 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: This was freedom. Losing all hope was freedom. If I didn't say anything, people in the group assumed the worst. They cried harder. I cried harder. Look up into the stars and you're gone. | |||||||||||
55 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Think about the animals used in product testing. Think about the monkeys shot into space. | |||||||||||
56 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: The old theatres that run a movie with two projectors, a projectionist has to stand right there to change projectors at the exact second so that the audience never sees the break when one reel starts and one reel ran out. You have to look for the white dots at the top, right-hand corner of the screen. This is the warning. Watch the movie, and you'll see two dots at the end of the reel. | |||||||||||
57 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Sometimes you do something, and you get screwed. sometimes it's the things you don't do, and you get screwed. | |||||||||||
58 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: Nothing is static. Even the Mona Lisa is falling apart. Since fight club, I can wiggle half the teeth in my jaw. Maybe self-improvement isn't the answer. Maybe self-destruction is the answer. | |||||||||||
59 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: I've met god across his long walnut desk with his diplomas hanging on the wall behind him, and god asks me, "Why?" Why did I cause so much pain? Didn't I realize that each of us is a sacred, unique snowflake of special unique specialness? Can't I see that we're all manifestations of love? I look at god behind his desk, taking notes on a pad, but god's got this all wrong. We are not special. We are not crap or trash either. We just are. We just are, and what happens just happens. And god says, "No, that's not right." Yeah. Well. Whatever. You can't teach god anything. | |||||||||||
60 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: If a new car built by my company leaves Chicago traveling west at 60 miles per hour, and the rear differential locks up, and the car crashes and burns with everyone trapped inside, does my company initiate a recall? You take the population of vehicles in the field - A, and multiply it by the probable rate of failure - B, then multiply the result by the average cost of an out-of-court settlement - C. A times B times C equals X. This is what it will cost if we don't initiate a recall. If X is greater than the cost of a recall, we recall the cars and no one gets hurt. If X is less than the cost of a recall, then we don't recall. | |||||||||||
61 | Narrator | Other | Quotes | Quotes | |||||||
Narrator Narrator: I just don't want to die without a few scars, I say. It's nothing any more to have a beautiful stock body. You see those cars that are completely stock cherry, right out of a dealer's showroom in 1955, I always think, what a waste. | |||||||||||
62 | Project Mayhem | Other | Criminals | Criminal Organizations | |||||||
Project Mayhem Committees: arson, assault, mischief, misinformation. | |||||||||||
63 | Tyler Durden | Other | Quotes | Quotes | |||||||
Tyler Durden Tyler Durden: We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore. In that social emasculation this everyman is created. | |||||||||||
64 | Untitled | Other | Themes | Diff|rent Strokes | |||||||
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65 | Untitled | Other | Themes | Diff|rent Strokes | |||||||
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